BALTIC 39, 31-39 High Bridge, NE1 1EW Newcastle upon Tyne 0191 261 3830

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4.60 Rating

Address: 31-39 High Bridge, NE1 1EW Newcastle upon Tyne
Site: http://www.baltic39.com
Phone: 0191 261 3830
Facebook: https://www.facebook.com/baltic39/
Time zone: Europe/London
Local Date:
Local Time:
Geo: 54.9720046199, -1.61313668975
Sunrise: 05:32, Sunset: 20:36
Moonrise: 01:40 Apr 28, 2024, Moonset: 07:07 Apr 28, 2024
Country: United Kingdom
Capital: London
Currency: Pound (GBP)
Dialing Code: +44
ISO Code: GB / GBR

Where to find BALTIC 39? BALTIC 39 is located at 31-39 High Bridge, NE1 1EW Newcastle upon Tyne in the state Newcastle upon Tyne, United Kingdom. What is the phone number of BALTIC 39? The place can be reached through its phone number, which is 0191 261 3830. The local time zone is Europe/London. Daylight saving time is in force in the area now. The current local time and date is . You can go to their website for more information, The website is http://www.baltic39.com.

Today, If you want to go to BALTIC 39, the sun rises in BALTIC 39 at 05:32 and sets at 20:36. You can see the moon rise at 01:40 and set at 07:07 Apr 28, 2024.

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Review *** (22/07/2018 20:55)
We Are Where We Are artist Robert Carter (b.1987, Blackburn, Lancashire, UK) lives in Manchester, UK. Carter is a painter and occasional poet and is relocating to Bergen to study a Masters in Fine Art. Someone’s Knee is the official artwork for upcoming debut album by Dungeon Synth Maestro ‘Thlod’.

Review *** (20/07/2018 17:30)
We Are Where We Are artist Lindsey Bull's work Wish you were here refers to a recent residency undertaken in Florida and the personal sense and remembering of place. Bull wanted the shadowed figure to be grounded in the landscape while, at the same time, almost reminiscent of a cardboard cut-out in front of an idealised backdrop.

Review *** (08/08/2018 21:00)
We Are Where We Are artist Daniel Fogarty’s work encompasses many practices including sculpture, jewellery and print. Fogarty is primarily concerned with ideas of the vernacular and contemporary folk practices and its messy translation into international culture. Fogarty rethinks popular forms of expression such as brooches and cards into trajectories full of complications and ricocheted styles.

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